出生年份： 1937~年
擅 长： 油画
毕业院校： 广州美术学院
| 创作年代 | 2009年作 | 尺寸 | 130*170cm |
|---|---|---|---|
| 材质 | 布面油画 Oil on Canvas |
装裱 | |
| 题材 | 所属系列 | 《南方油画名家：邵增虎风景油画集》 | |
| 作品描述 | 邵增虎以创作现实主义人物画成名，转而从事油画风景画创作。在对油画色彩的长期研究中，他形成了自己带有个性的色调和技法。他擅长运用油画色彩的可塑性，用重重叠叠的油彩颗粒，分割物象，使其只有远观才能成像。在对色彩的分割重组和局部放大的过程中，邵增虎在他自己创造的色彩和画面的牵引下，一步一步地走向抽象。在“首届生”展览中邵增虎展出的是一批以石头为素材的作品，画家独具慧眼从石头的纹理中发现了大千世界。不同质地、不同纹理、不同形状、不同色彩的石头，使邵增虎的这批首先从具象到抽象，冲破自己以往熟悉的具象的藩篱，然后从抽象返回意象，拉近与观众的艺术距离，重返“似与不似之间”的审美情趣之中。 —— 谭天 Shao Zenghu got his fame for realism portraits, but now he transferred to landscape oil paintings. During his long research on oil painting colors, he formed his own personality of colors and techniques. He is good at using the plasticity of oil color in partition images with many-tiered oil particles, so that his painting could only image in distance. In the segmentation and restructuring of color and the partial amplification, traced by his own creation, Shao Zenghu moves step by step towards the abstract. In the "First Graduates" Exhibition, Shao Zenghu displayed a number of paintings with stones as the content. From the rock textures, the artist found his world. Stones of different qualities, textures, shapes and colors lead Shao Zenghu to paint firstly from figurative to abstract, breaking down fences of being figurative which was his familiar past, and then back from abstract to idea expressing, to narrow the gap with audience and to return to the aesthetic taste of between like and unlike. （Translated by Tan Chang） —— Tan Tian |
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